Olaf Breuning’s Faces plays against the ubiquitous language of today’s social media photography, creating an extensive cast of characters that emerge out of mundane domestic scenes: making breakfast, dinner leftovers, frost collecting on a window pane, taking out the garbage, a puddle of rain. Each page, an anthropomorphic face that both regards and projects the viewer, is an expression of everyday chaos and kismet – as long as we’re willing to take a look.
Combining a substantial 496 pages of photographs with a compact 7x7 inch square format, Faces will be released in the fall of 2019 by Los Angeles based publisher Silent Sound in a limited first edition run of 1000 copies, each book featuring it’s own unique cover. The playful design invites an organic and unpredictable re-arrangement of the work in essentially endless combinations by the viewer.
496 pages 7 x 7 inches First Edition of 1000 Each copy features unique cover
RAYMOND PETTIBON Homo Americanus
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Philosophically profound, deeply literary and biting in his satire, Raymond Pettibon is the foremost draftsman of his generation, and one of America’s most important contemporary artists. Approaching “high” and “low” subject matter with equal appetite and comfort, Pettibon plumbs the depths of American sexuality, politics, subcultures, mores, and intellectual histories through themes ranging from Shakespeare to Gumby, surfers to the Bible, baseball to German Romanticism.
Published on the occasion of his major European traveling retrospective at the Deichtorhallen Hamburg – Sammlung Falckenberg,Raymond Pettibon: Homo Americanuspresents over six hundred works from every part of the artist’s career, the majority of which have never been shown before. Arranged thematically in thirty-two chapters, this unique catalogue charts the appearance and development of the themes that have come to define Pettibon’s expansive oeuvre. Different sections are introduced with excerpts from interviews conducted with the artist, and are further discussed in a detailed appendix by curator Ulrich Loock. Beyond shedding valuable light on the genesis and cross-pollination of Pettibon’s thematic interests, this catalogue is the first to tackle the artist’s work as a whole—as a kind of hive mind of American culture whose various branches constantly address and reinterpret one another. Of particular interest are Pettibon’s own readings of individual works in the book. In excerpts paired with corresponding images, Pettibon guides readers through his complex, often meandering turns of thought; never condescending, they invite readers to enter more deeply into his thinking without sacrificing the intellectual rigor and sense of mystery that makes Pettibon’s work so compelling and challenging. The book includes a complete facsimile of his first artists’ book,Captive Chains—almost entirely unavailable for decades—in addition to numerous early drawings completed with his nephew, record covers, flyers, and sections dedicated to collages and drawings from the 1980s to today. Also featured are biographical notes compiled by Lucas Zwirner, offering a nuanced, insightful reading of Pettibon’s history, whose early life and work is often simplified and categorically tied to punk rock, and instead underscores the complexities surrounding the artist’s long-standing relationship with art, literature, and American culture. This unparalleled selection of Pettibon’s work is the definitive single volume for novices and experts alike.
Stephen Shore Selected Works: 1973-1981
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tephen Shore’sUncommon Placesis indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety. Over the past five years, Shore has scanned hundreds of negatives shot between 1973 and 1981. In this volume, Aperture has invited an international group of fifteen photographers, curators, authors, and cultural figures to select ten images apiece from this rarely seen cache of images. Each portfolio offers an idiosyncratic and revealing commentary on why this body of work continues to astound; how it has impacted the work of new generations of photography and the medium at large; and proposes new insight on Shore’s unique vision of America as transmuted in this totemic series.
Stephen Shorehas had a significant influence on more than one generation of artists and photographers. He is the director of the photography program at Bard College, Annandale-on-Hudson, New York. A major retrospective of Shore’s work is planned to take place at the Museum of Modern Art, New York, in 2017.
California by John Chiara
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John Chiara: California Photographs by John Chiara Text by Virginia Heckert
John Chiara creates his own cameras and chemical processes, in order to make unique photographs that use the direct exposure of light onto reversal film and paper. Each resulting photograph is a singular, luminous object. This highly anticipated first book includes the surreal and thrilling landscape and architectural images for which the artist has become known. John Chiara: California features images taken in the artist’s hometown of San Francisco and other locations along the Pacific Coast. An essay by Virginia Heckert situates Chiara’s work in the landscape tradition of the American West and discusses this process-driven work.
JOHN CHIARA (born in San Francisco, 1971) received a BFA in photography from the University of Utah in 1995 and an MFA in photography from the California College of the Arts in 2004. Most recently, he was artist in residence at Budapest Art Factory (2017) and Crown Point Press, San Francisco (2006, 2016). In 2011 and 2013, the Pilara Foundation in San Francisco commissioned work that was included in group exhibitions at Pier 24 Photography.
Sigh Of The Times by Grant Hatfield
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Full color photo zine. Digital Offset 6” x 9” Edition of 300 Deadbeat Club #67
It’s indeed a sign of our times that most of us can barely summon a sigh in response to the constant absurdity of plain old daily life. But in “Sigh of the Times,” Grant Hatfield slyly subverts easy cynicism with pictures that are not “about” anything in particular, but which yet manage to be both sweet and soulful. Hatfield doesn’t use the camera to search for meaning in the world; instead he creates meaning with an astute use of vibrant color and pattern (and of texture and light in the handful of black-and-white photographs). Equally important are the pairings of pictures, in which the congruities and contradictions of southern California add up to something more than the sum of their parts. In the end, Hatfield’s evident love for the wonders of the perceived world make this sigh clearly one of affection.
Hairdos of Defiance by Ed Templeton
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Essay by Ed Templeton
68 pg. Hardcover Full Color Offset 6.75” x 9” Edition of 1500
An explosion of spiked fluorescent pink hair precariously balanced atop a young girl’s head, eyes painted black in the shape of an Egyptian goddess, slender neck choked by a black leather dog collar ringed with metal thorns, a ripped-up t-shirt barely concealing the flesh of her breasts: it had the same shocking effect on a family walking along London’s King’s Road in 1977 as it did on the explorers encountering the Pawnee Indians in 1541, something exotic and strange to behold. Having a punk hairstyle was a way to spit in the eye of polite society, to rebel and depart from the prevailing fashion trends. It was an emblem of non-conformity and a hairdo of defiance - until it wasn’t.
—Excerpt from "On Mohawks" by Ed Templeton
From Disneyland to Detroit, Spokane to Scotland, Hairdos of Defiance highlights Templeton’s encounters with iconic punk-rock plumage across two decades and two continents. Shot on film, the portraits in Hairdos of Defiance track this ubiquitous expression of individuality on friends and strangers.
In the accompanying essay On Mohawks, Templeton reflects on the evolution of the mohawk, from its origins in indigenous culture to its emergence as a punk identifier, to its co-option by the mainstream, to its significance in his own life as an outsider kid growing up in suburbia.
This hardcover book features 62 photographs, printed in an edition of 1,500. Hairdos of Defiance serves as the catalogue for Templeton’s eponymous solo exhibition at Roberts Projects, Los Angeles, on view March 17 - April 21, 2018.
Pop, Not Pop by CR Stecyk III
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60 pg. Full color photo zine. Digital Offset 5.5” x 5.5” Edition of 500 Deadbeat Club #54